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Sony Alpha DSLR-A200 (with 18-70mm lens)

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Product summary

The goodThe good: In-body image stabilization; supports wireless flash.

The badThe bad: Loud; Sony doesn't have a stable of inexpensive lenses for consumers; oddly located, proprietary USB connector.

The bottom lineThe bottom line: The Sony Alpha DSLR-A200 is a solid entry-level dSLR that doesn't really stand out in its very competitive field.

Specifications: Digital camera type: SLR; Resolution: 10.2 megapixels; Optical zoom: 3.9 x; See full specs

Price range: $499.00 - $509.95

See all products in the Sony Alpha DSLR-A200 series

CNET editors' review

  • Reviewed on: 03/11/2008

Sony's entry-level dSLR, the Alpha DSLR-A200, delivers a just-the-facts-ma'am shooting experience. For the most part, it provides the average design, basic feature set, modest performance, and better-than-snapshot photo quality that typifies this market segment: not bad, but not notable in any way, either.

The 10.2-megapixel A200 comes in two kits: one with the SAL-1870 18-70mm f3.5-5.6 lens, which we tested, and a dual-lens kit that adds the SAL-75300 75-300mm f4.5-5.6 model. Those two lenses, plus the new SAL-55200, currently comprise Sony's complete entry-level lens lineup. For other inexpensive alternatives you'll have to turn to compatible A-mount Konica Minolta, Sigma, or Tamron offerings.

At 22.4 ounces with battery and CF card, the A200 weighs more than most of its competitors, despite its plastic-clad body. It feels solid, though, and the rubberized grip has a deep indent for your finger that makes the camera comfortable to hold. If you plan to connect the camera directly to your computer rather than use a card reader (which we don't recommend), then avoid the A200. For one, the USB connector is located inside the CF card compartment, which means you have to leave the door open while downloading, potentially allowing all sorts of schmutz to get onto the card-slot contacts (and, if you're as accident prone as me, providing a protrusion to hit and hurl the camera to the floor). More important, Sony uses a proprietary combo USB/AV connector on all its dSLRs, for no reason that I can see other than to force you to buy a cable from them if you lose the bundled one. That just peeves me.



The A200 uses a simple, uncluttered layout for its controls and menu system. Like the A700, the A200 has Eye-Start AF sensors beneath the viewfinder.

Operating the A200 is straightforward. There are direct-access controls for ISO sensitivity, exposure compensation, and drive/bracketing/self-timer modes, while flash, AF, white balance, AF area, and D-RangeOptimizer settings are grouped under a screen pulled up by the Fn button.


Unlike the A700, you can't change settings directly via the information display (Quick Navi). Instead, you have to pull up this screen via the Fn button and dive in to change the settings. I slightly prefer the Quick Navi approach.

The A200 supports wireless flash, uncommon but not unique in this price class, and I actually like the bare-bones implementation. Rather than grafting pro multichannel support on the camera, which can be quite confusing to configure, it's basically binary: on or off. The rest of its features--and their implementations--is pretty typical for its class, including sensor-shift image stabilization and a 2.7-inch LCD. (For a complete list of features, download the PDF manual.) Like most, but not all, of the cameras in this class, the A200 lacks Live View shooting, but you can get that by forking over another $100 for the otherwise identical DSLR-A300.

CNET Labs' tests indicate it wakes up and shoots very quickly--in roughly half a second. Under good, high-contrast lighting, it focuses and shoots in just under a third of a second, rising to a moderate 1.2 seconds in dimmer conditions. Typically, it captures consecutive frames in 0.6 second, jumping up to 1.3 seconds with the built-in flash enabled. Its 2.8 frames-per-second continuous shooting speed falls around the class average. Also as is typical for this segment, it has limited non-JPEG burst shooting capabilities: only 3 frames raw+JPEG or 6 frames raw in burst mode. In casual testing, the image-stabilization system delivered about 3 stops of latitude over what the reciprocal rule dictates--1/10 second versus 1/70 second for a 70mm focal length--which is pretty standard.

Shooting speed
(Seconds--smaller is better)
Time to first shot  
Raw shot-to-shot time  
Shutter lag (dim light)  
Shutter lag (typical)  
Sony Alpha DSLR-A200
0.5 
0.6 
1.2 
0.3 
Nikon D40x (Nikon AF-S DX 18-55mm Lens)
0.2 
0.8 
0.9 
0.4 
Olympus Evolt E-510 (dual lens kit)
1.3 
0.8 
1.3 
0.4 
Pentax K100D
1.2 
0.5 
1.3 
0.4 

Typical continuous-shooting speed
(Frames per second--larger is better)

I do have a few performance gripes, though. For one, the 2.7-inch LCD is very difficult to view in direct sunlight. Second, the focus indicators for the 9 off-center focus points are lines (rather than squares), and very dim--some people may have trouble seeing them. And the shutter, or at least the mirror flip it drives, sounds unusually loud.

Photo samples from the Sony Alpha DSLR-A200

On the whole, the A200's photos looked okay, if unexceptional. It renders reasonable, if somewhat warm or cool automatic white balance, depending upon the lighting. In standard mode, exposures seem skewed too much toward the midtones--probably to avoid blown-out highlights--so images look a bit low contrast. Its noise profile looks good until ISO 800, at which point color artifacts become obvious, but that's par for the course on low-end SLRs. And the kit lens we tested produced soft photos.

This is the first entry-level camera we've seen in 2008, so it's quite possible that we'll be back to reevaluate the Sony Alpha DSLR-A200 more favorably in the context of its competition. But for now, there are better, more interesting models from earlier years whose prices are dropping into its territory; the Nikon D40x or Canon EOS Rebel XTi if you're willing to forgo the image stabilization, or the slightly more expensive Pentax K10D if you're not. You can even opt for the similar and still-available two-year-old Alpha DSLR-A100, if you don't shoot a lot at high ISO settings, and put the money you save toward a better lens.

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Reviews from around the Web

  • digitaltrends.com

    Editors' rating: 75

    Read full review

  • ephotozine.com

    Editors' rating: 80

    Summary: There are points both for and points against the Sony Alpha A200. I like the performance of the processor, the weight and easy to use interface

    Read full review

  • goodgearguide.com.au

    Editors' rating: 80

    Summary: While its pictures are a little softer than those produced by some competing models, there is no denying the A200 is a great overall camera, with particular appeal to novice users who may be afraid to take the next step.

    Read full review

  • cameralabs.com

    Editors' rating: 85

    Summary: Sony's Alpha A200 may only sport minor improvements over its predecessor, but holds an important position in the new Alpha range. As discussed above, it represents the entry-level base model upon which subsequent models build. So while it may not have Liv

    Read full review

  • dpexpert.com.au

    Summary: This camera enters a hotly contested field where Pentax, Nikon, Olympus and Canon are the competitors. Nikon and Olympus provide the best budget optics and set the standard. The excellent Pentax K10D is advertised at $1100 with a modest Sigma lens, a true

    Read full review

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