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CNET editors' rating:
4.0 stars
Excellent
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Product summary
The good: Produces an extremely sharp and well-defined picture; accurate color decoding; very flexible in setup; excellent feature package including blanking.
The bad: Extremely expensive; primary colors are not accurate and not adjustable; light output is relatively low, which means it won't drive large screen sizes.
The bottom line: The Marantz VP11S1 is currently the best 1080p one-chip DLP projector on the market, but it does come at a premium price point.
Specifications: Projector type: DLP projector; Resolution: 1920 x 1080; Image brightness: 700 ANSI lumens; See full specs
CNET editors' review
- Reviewed on: 12/20/2006
- Updated on: 12/13/2007
- Released on: 06/29/2006
Editors' note, December 13, 2007 The rating on this review has been lowered from 8.3 to 8.0 due to changes in the competitive marketplace, including the review of the Sony VPL-VW200.
LCD and LCoS projector manufacturers have had 1080p resolution projectors on the market for a couple of years now, including models such as the excellent Sony VPL-VW100 that we reviewed last year. Enter Marantz, who managed to beat all the front projection DLP makers to market with the VP11S1, the first available one-chip DLP projector with the highly coveted 1,920x1,080 (1080p) resolution chip set. Now the three display technologies--LCD, LCoS, and DLP--are on more of a level playing field in terms of performance, features, and specs. Sure we had a couple of complaints, but overall, the Marantz VP11S1 is a very formidable performer in the category. And it better be, because this projector lists for a penny under $20,000. For the few who can afford it, the VP11S1 comes close to the ultimate in home theater image quality.Marantz's DLP projectors have been among the most attractive and elegant to our eyes, and the VP11S1 is no exception. It's available in both white and black finishes, although the review sample we received was finished in black. The lens assembly is positioned just slightly off the center of the chassis, giving it a more symmetrical look than most projectors with lenses all the way to one side.
Completely redesigned, the remote control is now much larger than those of previous Marantz projectors, not to mention fully backlit, making use in a darkened theater environment much easier. Direct access keys are provided for all of the most important functionality, including input selection. This will definitely facilitate the custom installer's task of programming a Crestron or AMX touch-panel remote system--certainly a big consideration at this price point. The internal menu or GUI (Graphical User Interface) is identical to previous Marantz projector designs, and we found it easy and intuitive in its navigation.For a front projection system, which is normally pretty sparse in the features department, the Marantz VP11S1 excels, offering a range of extras that affect performance. First up, however, is the light engine, which uses a single 1080p-resolution DLP chip that, unlike even more expensive three-chip designs, still relies on a color wheel to produce color. Unlike the chip used in rear-projection DLP televisions, the one inside the Marantz--and all 1080p DLP front projectors, for that matter--has a full array of 1,920x1,080 discrete pixels, as opposed to using so-called wobulation to achieve the 1080p pixel count. We suspect that the discrete pixels have a lot to do with the sharpness we saw (see Performance, below).
The unit's extensive picture controls start with six selectable color temperature presets and eight gamma selections--a large number of choices that might be confusing for most folks. Normal and Economy modes for the lamp as well as 6.0 and 3.0 Iris choices collectively control the lamp's light output. We used normal mode and F6.0 in our system to drive a relatively small 72-inch-wide Stewart Filmscreen StudioTek 130 screen, but your choices will vary according to screen size and type.
A blanking feature (we're giving it cool factor of 10) allows you to mask the picture perfectly to your screen edges, so even a slight overscan of the picture is not visible on the screen frame. This is a rare and welcome feature on a digital projector, and one that we have long wondered why manufacturers haven't incorporated more often. The VP11S1 also offers three memories per gamma setting, which is far more than most home theater applications will ever utilize.
The vertical lens shift is a great feature that will give you a lot of flexibility when installing the projector on the ceiling, although we'd love to see a horizontal lens shift too. While a keystone feature is included, it does adversely affect the performance of any digital projector, and should not be used. Instead, make sure you or your installer takes the time to position the VP11S1 correctly in relation to your screen so you won't have to use keystone correction.
Connectivity options are fairly generous. Two HDMI digital inputs are the most important connections. There are also two component-video inputs, one S-Video input, one composite-video input, and one 15-pin VGA input for a computer hookup. The VGA, component-video, and HDMI ports can all handle 1,920x1,080 (1080p) resolution at both 60Hz and 24Hz, among numerous other signals. Finally, two 12-volt triggers for electric drop-down screens and masking systems, as well as an RS-232 control port are included.Out-of-the-box performance at the factory presets was fairly accurate, with a couple of exceptions. The grayscale, although close in the kelvin numbers (see the Geek box), was distinctly greenish at the bottom end of the scale, which is an issue we notice with a lot of high-end digital projectors. Calibration was relatively simple, with all of the necessary controls in the projector's Fine menu, and fixed the problem completely. Overall color accuracy was decent with one exception. The primary colors of red and blue are relatively close to the HD or ATSC references, but green is off the mark and somewhat yellowish making it look a little neonlike. Overall, that was pretty much our only gripe with the VP11S1's otherwise spectacular picture.
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