in-ear headphones

I've reviewed and thoroughly enjoyed some of the very best custom in-ear headphones on the market, including the JH Audio 13 Pro headphones and the Ultimate Ears Reference Monitors, so I thought it was about time to check out an entry-level custom in-ear. The Ultimate Ears UE 4 Pro model retails for $399, and looks much like the company's other custom models. No surprise there; they all come from impressions made from the customer's ear canals, hence the "custom" part of custom in-ear headphones, from UE or other manufacturers. Each one is a unique, hand-built … Read more

Westone started out in the late 1950s making custom molds for hearing aids and ear protection devices. Once I learned that little factoid I wasn't surprised to hear Westone was the first to introduce custom-molded in-ear headphones in 1993.

This is my first Westone review, so I'm starting with its best headphone, the Elite Series ES5 Musicians' Monitor ($950). The company offers a range of more affordable universal-fit in-ear headphones, like the UM-1 ($109).

I hope to soon do a follow-up review with a universal-fit Westone to better describe the sonic differences between universal and custom-molded in-ear designs.

For now I will say that no universal in-ear headphone from Etymotic, Monster, Shure, Ultimate Ears, etc. has anywhere near the sound-isolating capabilities of custom-fit designs. I always hear more detail, overall clarity, and upper treble air and delicacy with custom-fitted in-ear headphones because those sounds aren't masked by noise. The ES5 is handcrafted at Westone's factory in Colorado Springs, Colo. … Read more

Steve's back for one more episode before we head out, but we'll be posting special Yuletide episodes throughout the holiday so you can still get your 404 fix.

Our guest today is CNET's audio expert, Steve Guttenberg, and he brings a list of the most significant inventions of the early 20th century with him.

Wilson will probably be disappointed to see that the electric washing machine isn't included on that list, and neither are antibiotics like penicillin, so you'll have to tune into today's episode to hear the whole story; you might be surprised to hear about which invention changed Steve's life, for better or worse.

Steve also has plenty of suggestions for the top gifts to buy for the audiophiliacs in your life. You don't have to spend a lot of money to get top-quality sound from your devices, and Steve's list of gifts under $100 includes an affordable in-ear headphone from NOX, a pair of bookshelf speakers that can produce audiophile-quality sound for just $29/pair, and a small amplifier that'll add 15 watts of power to your music.

Also be sure to check out Steve's other list of audio devices for the more affluent gift-givers, and have a great holiday, everyone!

Ultimate Ears' new Reference Monitor in-ear headphone is a very different take on the state of the art. UE collaborated with EMI Music's Capitol Studios to design this headphone for recording, mixing, and mastering engineers. The UE engineers submitted a number of prototypes to Capitol and other beta testers for feedback before arriving at the finished Reference Monitor. I'm no engineer, but I think the Reference Monitor is the best, most accurate-sounding in-ear headphone I've heard to date.

Right, I know some of you must be thinking, aren't all headphones designed to be accurate? Once you … Read more

I think we're entering the golden age of headphone design. Over the last few years the competition's heated up and at nearly every price level, headphone performance standards are improving at a fast and furious rate. For example, the TDK EB900 in-ear headphone I heard at the CNET office a few weeks ago were pretty amazing for around $100, but the all-new NOX Audio Scout is better, a lot better. Headquartered in City of Industry, CA, NOX Audio was founded in 2009.

The superlightweight design is extremely comfortable, and while my ears are sometimes very fussy about getting a tight seal for best bass response, I had no trouble with the Scout's silicone eartips.

The design features "balanced armature technology," which is rarely seen in headphones in the Scout's price class (I don't know of any others). The Scout's cable has an inline omnidirectional microphone, and according to the Scout press release, "the world's smallest send/end button, making it an ideal device for cell phones, portable media players and gaming handhelds." Best of all, the Scout's flat cable was the least tangle-prone headphone wire I've ever used. Jumble it up any which way, shove it into your pocket, and it'll never tie itself into knots. That's a first! … Read more

Etymotic invented the in-ear earphone in 1984 for use in diagnostic testing and auditory research. The first consumer model, the ER-4, debuted in 1991. I remember that when I heard it the resolution of fine detail was far ahead of any dynamic headphone I'd heard at that time. The ER-4 earphones are still in the line. I still use my ER-4P and love it.

The MC5 is a new model, and priced at $79, it is the most affordable in-ear design ever offered by Etymotic. The company claims its headphones produce superior isolation from external noise, and I agree. The MC5 did a better-than-average job blocking out the sounds of the NYC subway. Etymotic headphones tend to sound more accurate (or less hyped) than most under-$100 in-ear headphones. I didn't have any budget in-ears on hand to compare them against, but the MC5's sound was more naturally balanced than Monster's standard Turbine in-ear ($150). That was especially obvious with acoustic music like the Avett Brothers "Emotionalism" album. The brothers' soaring harmonies and chiming guitars really shined over the MC5; the Turbine sounded more immediate and brighter, but lacked the MC5's warmth.

Gil Scott-Heron's "I'm New Here" album's sound mix, with its buzzy keyboards and rumbling basslines sounded fabulous over the MC5, though the Turbines had deeper bass that made more of an impact, but its more upfront balance added an edge that detracted from the music. They are very different-sounding headphones, and, as always, selecting a winner is very much a matter of personal taste. Etymotic's MC3 ($99) headset model offers the same sound as the MC5, but adds a microphone and volume controls for iPods. … Read more

We weren't fans of Bose's first in-ear headphones, but maybe Bose will make a better impression with its new line of in-ear headphones, which include the IE2 audio headphones and the MIE2 and MIE2i mobile headsets, which are designed "specifically for music-enabled mobile phones." The company says each is engineered with proprietary Bose technologies for improved audio quality and feature new StayHear tips for "greater stability and a comfortable fit."

None of these models are noise-canceling or noise-isolating. While the IE2 headphones don't feature an in-line microphone for receiving cell-phone calls, both the … Read more

Jerry Harvey got into the headphone business by making in-ear monitors for just a few musician friends, and went on to build headphones for hundreds of bands, and now counts Mary J. Blige, Godsmack, Guns 'N' Roses, Alicia Keys, Eddie Vedder, and the Glee Live Tour as customers.

Harvey pioneered two-way (bass/treble) in-ear designs in 1995, and later the first three-way (bass, mid, treble) in-ear monitors. Harvey's multiple driver designs produce less distortion and increase dynamic range compared with conventional single-driver headphones, which include all of the standard headphones from Etymotic, Monster, Skullcandy, Sony, etc. The JH16 Pro I'm reviewing here is the world's first eight-driver, three-way in-ear headphone, and its sound is revelatory.

I reviewed the JH Audio's 13 Pro in-ear headphones last year in this blog, and the JH16 shares a lot of the same technology, but the big difference is in the bass. The JH16 has four low-frequency drivers (the JH13 uses two), two midrange, and two high-frequency drivers--for a total of eight drivers per channel. Both headphones feature "balanced armature" drivers, which are proprietary to JH Audio, and they're designed by Jerry Harvey.

The sound is addicting; once you've gotten used to hearing this kind of uber resolution, it's hard to go back to merely excellent in-ear headphones like my old Etymotic ER-4P ($300). I haven't heard any of Etymotic's latest designs, but the ER-4P now sounds small, cramped, and hopelessly outclassed by the JH16. Can't afford $1,149? JH Audio offers a range of custom in-ear models; prices start at $399 for the JH 5 Pro.

The JH16 is super efficient, so it can play louder, a lot louder than most headphones while being driven by iPhones, iPods, and Zunes' puny built-in headphone amplifiers.

Each JH16 is a unique hand-built creation, based on custom ear molds. The company's Web site has a list of recommended audiologists who make the molds (for around $100). Building a JH16 is a labor-intensive process; each headphone takes five hours to complete and test in the company's factory in Florida. … Read more

The Ultimate Ears 18 Pro Custom Monitors are really expensive, but the best stuff always is. Then again, $1,350 may be a lot for headphones, but it's cheap for state-of-the-art speakers. Wilson Audio's Sasha W/P floorstanding speaker is in the middle of the company's line, and it goes for $27,000 a pair; Magico's entry-level tower model, the V2, runs $18,000 a pair. The UE 18 Pro is on par with them, it's that good. It's the best headphone UE makes, but UE's custom fitted models start at $399 for the UE 4 Pro, and universal fit UE models start at $50.

The UE 18 Pro is no "earbud," those things are placed in the cupped area around the outer ear canal; in-ear headphones fit into and, most importantly, seal the ear canal. The isolation from outside noise allows listening at significantly lower volume, so it's safer to rock out with in-ears than earbuds. The UE 18 Pro's custom fit (more about that later) hushes outside noise more completely than standard in-ear designs. With external noise hushed, you hear a lot more detail and subtlety from your music.

Never heard of Ultimate Ears? That's understandable; the company originally made its mark building custom in-ear stage monitors for musicians, including Aerosmith, Arcade Fire, Mary J. Blige, John Fogerty, the Rolling Stones, Linkin Park, and hundreds of other touring bands.

I'll tell you this: the UE 18 Pro is drastically better than say, my old favorite: the Etymotic ER-4P in-ears. That's not to take anything away from the ER-4P, but it sounds constrained and contained compared with the UE 18. It's hardly a fair comparison, the ER-4P lists for around $300, the UE 18 Pro is $1,350, plus the expense of getting custom ear molds made (figure about $100). Each UE 18 Pro is a one-of-a-kind creation, hand-built for your ears. … Read more