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industrial light & magic

With 'Rango,' ILM wrangles first animated feature

SAN FRANCISCO--When he started making his new film "Rango," director Gore Verbinski knew he wanted it to look and feel much like many of the Westerns it evokes: gritty, dirty, and sweaty.

"He wanted to be able to smell the breath of the characters," said Kevin Martel, the film's associate animation supervisor. "The feeling was that if you were to take a deep breath, you'd inhale all that dust and dirt, and you'd probably start coughing."

All joking aside, creating the look of a traditional Western was one of the biggest … Read more

ILM doc shows Lucas' focus on making 'great movies'

SAN FRANCISCO--When George Lucas talks about the raison d'etre of his award-winning visual effects studio, Industrial Light & Magic, his logic might strike some in the bottom line-obsessed world of Hollywood as heretical.

"I started ILM to help make great movies," Lucas told CNET recently. "That's what we're here for. We're not here as a big moneymaking organization. We're not here as a business. We're here to make great movies."

Of course, any filmmaker would probably want to say something like that, but Lucas may well be the one person … Read more

Documentary celebrates 35 years of ILM magic

If you asked the average moviegoer to name George Lucas' biggest influence on the film industry, they'd probably say "Star Wars." But while there's no arguing with the massive cultural and artistic impact of that film and its five sequels, a better answer might well be Lucas' Industrial Light & Magic.

To be sure, "Star Wars" and ILM are not unrelated--Lucas started ILM to create the visual effects for his groundbreaking movie. But the visual effects house has gone on to do a great deal more, and today is probably responsible for the look … Read more

'Avatar' Oscars could make Weta household name

Update at 8:25 a.m. PST Feb. 2: "Avatar" has snagged nine Oscar nominations: visual effects, best picture, art direction, cinematography, directing, film editing, sound editing, sound mixing, and music (original score).

When the trumpets sound Tuesday morning and the Academy of Motion Picture Arts and Sciences announces its annual Oscar nominations, could there be any more of a sure thing than that James Cameron's mega-hit "Avatar" will grace the list of visual effects honorees?

After all, while many people have enjoyed the film's sprawling anti-colonialism storyline, there's little doubt that what … Read more

ILM steps in to help finish 'Avatar' visual effects

Update (11:49 a.m.): Weta Digital has been contacted for comment, and this story will be updated when and if the company responds.

SAN FRANCISCO--About a year ago, with James Cameron's science-fiction epic "Avatar" well under way, it became clear that Weta Digital, the visual effects studio doing much of the computer generated imagery, or CGI, on the project, was a bit in over its head.

At that point, the movie, which opened Friday, was about 40 minutes longer than it ended up being, and what was needed to finish the project was another company that … Read more

Visual effects shoot for realism in explosive 'Terminator Salvation'

Spoiler alert: This article describes some of the action sequences in the new Terminator movie. If you don't want to know details about some scenes, bookmark this article and come back to read it after you've seen the movie.

SAN FRANCISCO--What do you do if you're a filmmaker trying to capture a scene in which an onrushing tow truck slams into a parked car, sending the car rolling neatly up and over the truck's back, but you face the reality that the car, vaulted into the air by a cannon shot from below, actually flies high … Read more

CNET News Daily Podcast: What the financial crisis means to tech start-ups

Tech start-ups are at high risk during this financial crisis since they can't get credit and venture capital money is drying up. Webware editor Rafe Needleman offers some words of encouragement and advice for staying afloat during these rough times.

Apple is rumored to soon be releasing its 2.2 software update for the iPhone. According to Apple sources, expect this one to include a refit of Safari to read better on the handheld and an update to the App Store. Searching for applications by category is rumored to get easier, and Apple will supposedly only let people who … Read more

Playing Iron Man for a day

SAN FRANCISCO--On Tuesday, the DVD version of the mega-hit film Iron Man will be released, and to celebrate, the visual effects superstars at Industrial Light & Magic decided to show off just a little bit more magic behind the movie.

Back in April, ILM invited me and a couple of my colleagues to their fantastic facilities here for a look at the technology behind the famous suit used in Iron Man. Recently, they invited us back to see how the seamless animation in some of the film's scenes--such as one famous shot involving the throwing of an Audi--was produced.

In particular, they wanted to give us the inside scoop on the motion-capture technology used to create a number of the film's scenes, a technology that is increasingly being used today that allows directors to see, in real time, while the actors are acting, what animated sequences will look like.

That's why we--myself, CNET reporter Kara Tsuboi, and a cameraman--spent several hours on an ILM image capture stage last week: So that Tsuboi could don a motion-capture suit and we could all see how footage of her would translate instantly into an animated Iron Man scene.

The idea is that George Lucas--who owns the effects studio--wants to give filmmakers advanced technological tools that provide them with flexibility and efficiency. And so he staffs ILM with the kinds of people who can make that happen.

"We understand the entire process," said ILM digital supervisor Michael Sanders, "from writing code to animating creatures to even shooting live elements. So we know each layer in the process. We understand the vision of the key creatives and understand" what the actors are going to do.

The technology used at ILM--and elsewhere, as well--allows directors to mix real filmmaking and virtual spaces, but with full camera control, depth of field, tracking, and panning. The upshot? A filmmaker can have an entire digital set created, then have an actor perform on the image capture stage wearing the motion-capture suit, and see, as the filming is happening, how the actor's character looks superimposed on the digital background. … Read more

Now on News.com: How Iron Man suit was made

When the visual effects and animation wizards at Industrial Light & Magic started working on Paramount Pictures film Iron Man, their biggest challenge was creating a suit for the title character that was part CGI and part real costumery.

The story is about genius billionaire industrialist Tony Stark, who's also a bit of a jerk and who designs and sells weapons. In the film's opening sequences, Stark is demonstrating one of his weapons and ends up in a scuffle with terrorists that leaves shrapnel lodged near his heart. To make a long story short, Stark ends up making … Read more