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New book highlights Pixar's fantastic art

If you're a fan of Pixar's many wonderful movies--and who isn't?--you've no doubt spent years caught up in the studio's terrific storytelling. But you've probably also been glued to your seat again and again by Pixar's terrific artistry.

Now, you can dig deep into the history of that work. With the new book "The Art of Pixar," Amid Amidi takes us inside the creative process behind Pixar's long list of hit films--"Toy Story," "Finding Nemo," "Monster's Inc.," "Ratatouille," "… Read more

The art behind Pixar's long run of hits

OAKLAND, Calif.--"Computers don't create computer animation any more than a pencil creates pencil animation. What creates computer animation are artists."

Those words would ring true no matter who said them, but in this case, the source has just about the highest possible credibility on the issue at hand: John Lasseter, the chief creative officer for both Walt Disney Pictures and Pixar Animation Studios, and the director of four of Pixar's most loved films.

Lasseter's words hang high on a wall in the Oakland Museum of California here, where the exhibit "Pixar: 25 Years of Animation&… Read more

The groundbreaking tech of 'Toy Story 3'

At Pixar Animation Studios, which will release "Toy Story 3," its 11th feature film, on Friday, each new movie is an opportunity both to notch huge box office numbers and to break new ground in the technique of using computers in digital animation.

To veteran Pixar watchers, the latter dynamic should by now be very familiar. With "Finding Nemo," the studio had to figure out how to use its technology to craft believable underwater scenes. With "Monsters Inc.," the challenge was animating the characters' lush fur. In "Cars," it was determining how … Read more