Sony Cyber Shot DSC-P150 review (Silver)

If this camera were a DVD, we'd rate it an enjoyable flick but skimpy on the special features. Sony crams 7 megapixels into a compact package that delivers good photo quality, great performance, and outstanding battery life but includes none of the extras found in other, similarly priced 7-megapixel models. Snapshooters who want a small camera for big prints and just the basics in manual controls should be happy with this camera's photo quality, robust performance, and shoot-all-day battery. More-serious photographers looking for a heftier feature set will want to check out the competition. This 4.4-by-2.1-by-1.1-inch, aluminum-bodied shooter weighs 6.4 ounces with its lithium-ion battery and Memory Stick. The P150's minimalist design starts with its operating controls--just enough buttons and dials to get the job done. One-handed operation is possible with the classic index-finger-and-thumb grip on the shutter button and back-panel zoom rocker, but two-handed shooting is more comfortable.


All of the other controls are on the right flank of the 1.8-inch TFT LCD monitor, although some often-used settings, including EV adjustments and scene choices, require a trip to the menu system. The knurled Mode knob has seven positions, for full auto, programmed, or manual exposure; scene options; picture review; movie clips; and setup. One key cycles through LCD options, a second acts as a Trash button and serves double duty to set image resolution, while another summons the Sony's easy-to-navigate menu system. The four-way cursor-control pad with embedded center OK button uses the directional keys to adjust the basic flash options, enter Macro mode, activate the self-timer, or review the most recent image taken.


Unfortunately, some frequently accessed features can be reached only via the menu system. For example, the cursor-pad flash button lets you choose between Off, Fill, Forced, or Slow-sync flash modes, but the red-eye option must be set from the menu. If you want to fine-tune exposures (easy using the live histogram), you'll find EV adjustments tucked away in a menu. If you exit the menus with EV selected, it will pop up first the next time you hit the Menu key, but EV access from the back-panel buttons would be more convenient. Sony includes red (full buffer), green (subject in focus), and yellow (flash charging) LEDs next to the optical viewfinder. Sony's minimalist approach with this camera takes a toll on its feature set. For example, the Cyber Shot DSC-P150's 3X optical zoom lens doesn't stack up against the 5X zooms found in the Pentax 750Z or the Olympus C-7000. It lacks convenient aperture- and shutter-priority modes, and manual focus is limited to several preset distances. Instead of the TIFF and raw file formats that several competitors include, the Sony offers only JPEG with just two compression options, nor are there snapshooter favorites such as time-lapse and panorama-assist modes.

The zoom range falls into the neither-fish-nor-fowl category at 38mm to 114mm (35mm-camera equivalent), with not much of a wide-angle view at the wide end of the scale and only anemic telephoto magnification at the long end. Close focus in macro mode goes down to 2.7 inches at the wide-angle setting, and about 12 inches in the telephoto position but manual focus is limited to five preset distances (0.5 meter, 1 meter, 3 meters, and 7 meters, as well as infinity), making it relatively useless for close-up photography.

The autofocus system offers center or five-area multipoint autofocus with single and continuous focus options; you can only choose the focus area the old-fashioned way, with focus lock. Unfortunately, the P150 was all too willing to snap off a picture when the image was not in focus.

Auto and programmed exposure modes work well, but manual adjustments are limited. You can select spot or multipattern metering, but only two f-stops (f/2.8 and f/5.6, with f/5.6 and f/10 at the telephoto position) are available, along with shutter speeds from 30 seconds to 1/1,000 second. Its nine mundane scene modes include Twilight, Twilight Portrait, Landscape, Soft Snap (portrait), Snow, Beach, High-Speed Shutter (sports), Fireworks, and Candle. Sony satisfies your curiosity with a helpful chart in the manual showing how each scene mode affects the settings for macro, flash, autofocus, burst mode, and other options.

There are basic white-balance presets as well as auto, but you can't fine-tune white balance or set it manually. The underpowered flash unit is rated for distances of only 11 feet or less in wide-angle mode and out to 8 feet using the telephoto zoom.