Version: 2008
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Sony DCR-IP5

2 of 75

Full user review

  • 2.5 stars

    "Survived 5 wks of rugged outdoor professional use, but transporting content sucked."

    by Livio Bestulic on April 17, 2005

    Pros: Size matters when you are in the wilds.

    Cons: The content takes too much effort & time to transport to editing software.

    Summary: I intended to used this camera as a second unit in 5 weeks of professional mountain filming (Austrian Alps, Moroccan Atlas Mtns, and Greece's Olympus Mtns) but its size (and lack of weight) made it a first unit very often. However, I was concerned about the final quality.

    Upon return to the US I found the quality comprable to any of our full-size Sony 3CCD units. Editors couldn't tell the difference when viewing footage from the fullsize camera and this micro.

    Problems:

    Finding micro tapes in many countries. Couldn't find them at all in all Eastern Block or third world countries. In Austria I found them only at one large electronic outlet for almost $50 each.

    Couldn't use the output with any of our professional (or consumer) editing software. So had to transport the content of the micro tapes to Sony PCs (only new ones with DV-Gate Plus) then translate and export the content to a mini-dv camera. Then import the content back to the PC for Final Cut Pro editing. The process took approx 4 hours per one hour of original tape.

    Basically the backend time to get the content into an editor is unacceptable. I gave the camera away as a result. It is strickly a consumer product.

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