CNET editors' review
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CNET editors' rating:
stars
Very good
Detailed editors' rating
- Reviewed on: 04/07/2003
- Updated on: 04/14/2003
- Released on: 03/15/2003
![]() Another bottom-feeding cassette hatch hits the market. |
Most of the controls are in the same position as on preceding models; the zoom switch and still-photo button fall under your right index finger, and you control power and recording with dials and buttons under your left thumb. To attain the more pocketable size, Sony has introduced a pull-out, tilt-up viewfinder. And one of our favorite touches is the Sony DCR-TRV22's flip-open plastic lens cap that stays mounted to the lens; since the lens can't show a very wide angle of view, the cap doesn't interfere with the scene.
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| Though Sony has changed the basic design of its entry-level camcorders, the controls stay the same. |
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| A very nice touch: You won't have to worry about losing this lens cap. |
![]() The DCR-TRV22's built-in speaker is the only thing hidden behind the flip-out LCD. |
The 10X zoom lens covers a focal-length range equivalent to 42mm to 420mm in 35mm still-camera terms. Wide-angle shots are therefore difficult, but the camera's lens has a 30mm thread to accept supplemental wide-angle and telephoto adapters. An accessory shoe accepts video lights, dedicated flashes, and external microphones.
You can focus the Sony DCR-TRV22's lens manually by using arrow icons on the touch-screen LCD, which is fairly quick and precise. There's also a clever, flexible spot-autofocus mode in which you touch the LCD to designate a precise AF target. You can select your AF spot from nearly the full area of the screen. It works without a hitch, but we found it more entertaining than useful.
In addition to standard autoexposure, the Sony DCR-TRV22 provides six scene-exposure modes, a backlight mode, and a 24-step exposure shift, as well as Color Slow Shutter and NightShot modes for taping in low light. Apparently eager to maximize the touch screen's feature yield, Sony also gave the DCR-TRV22 a Flexible Spot Meter mode that works much like the spot AF; you touch the LCD to designate a precise spot-metering area. It also works well, and we found it more useful than spot AF.
Sony endowed the DCR-TRV22 with a good set of effects and other useful consumer-oriented extras such as analog-to-digital conversion, interval and stop-motion recording, and exposure bracketing for still shots. Our biggest complaint: The camcorder lacks a wind screen on the built-in microphone, which could prove a significant drawback if you shoot outdoors a lot.
![]() The standard InfoLithium battery lasts about an hour, which is typical for this class of camcorder. |
We're less pleased with the quality of the 2.5-inch LCD. It's sharp and always adequate for surfing the menus, but in bright light, it's hard to use for scene composition. For daylight shooting, you're better off with the eye-level viewfinder, which shows bland and inaccurate color but is reasonably sharp.
The Sony DCR-TRV22's built-in stereo microphone is highly sensitive and records clear audio, but we did notice slightly worse than average wind noise when we shot outdoor footage--we really missed a wind filter here. And the microphone picks up the constant hum of the tape mechanism, though the sound isn't as whiny as that of some other consumer camcorders.Overall, the Sony DCR-TRV22's video quality ranks slightly above average for the camera's price class. Our test video footage was relatively sharp and free of artifacts. Colors are fairly vibrant but not especially accurate, a common trait among consumer camcorders. And the camcorder delivers good exposures under a wide range of shooting conditions.
![]() Video quality is about average for a consumer camcorder (image was shot using manual white balance). |
![]() Still photos from the Sony DCR-TRV22 are typical of 640x480 shots from camcorders--barely adequate for use on the Web, even at small sizes (image was shot using Indoor white balance). |
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