| Canon PowerShot G11 | Canon PowerShot G12 | Canon PowerShot S95 | Nikon Coolpix P7000 | Panasonic Lumix DMC-LX5 | |
| Sensor (effective resolution) | 10-megapixel CCD | 10-megapixel CCD | 10-megapixel CCD | 10-megapixel CCD | 10-megapixel CCD |
| 1/1.7-inch | 1/1.7-inch | 1/1.7-inch | 1/1.7-inch | 1/1.63-inch | |
| Sensitivity range | ISO 80 - ISO 3,200 | ISO 80 - ISO 3,200 | ISO 80 - ISO 3,200 | ISO 100 - ISO 3,200/6,400 (expanded) | ISO 80 - ISO 3,200 |
| Lens | 28-140mm f2.8-4.5 5x | 28-140mm f2.8-4.5 5x | 28-105mm f2-4.9 3.8x | 28-200mm f2.8-5.6 7.1x | 24-90mm f2-3.3 3.8x |
| Closest focus (inches) | 0.4 | 0.4 | 2.0 | 0.8 | 0.4 |
| Continuous shooting | 1.1fps frames n/a | 1.1fps frames n/a | 0.7 frames n/a | 1.1fps n/a | 2.5 fps JPEG/n/a raw |
| Viewfinder | Optical | Optical | None | Optical | Optional OVF or EVF |
| Autofocus | n/a Contrast AF | n/a Contrast AF | n/a Contrast AF | 99-area Contrast AF | 23-area Contrast AF |
| Metering | n/a | n/a | n/a | 256-segment matrix | n/a |
| Shutter | 15-1/4000 sec | 15-1/4000 sec | 15-1/1600 sec | 60-1/4000 sec | 60-1/4000 sec |
| Flash | Yes | Yes | Yes | Yes | Yes |
| Hot shoe | Yes | Yes | No | Yes | Yes |
| LCD | 2.8-inch articulated 461,000 dots | 2.8-inch articulated 461,000 dots | 3-inch fixed 461,000 dots | 3-inch fixed 921,000 dots | 3-inch fixed 460,000 dots |
| Image stabilization | Optical | Optical | Optical | Optical | Optical |
| Video (best quality) | 30fps VGA H.264 QuickTime MOV Mono | 720/24p H.264 QuickTime MOV Stereo | 720/24p H.264 QuickTime MOV Stereo | 720/24p H.264 QuickTime MOV Stereo | 720/30p AVCHD Lite Mono |
| Zoom during video capture | No | No | No | Yes | n/a |
| Manual iris and shutter in video | No | No | No | No | Yes |
| Zoom while recording | No | No | No | Yes | n/a |
| Mic input | No | No | No | Yes | No |
| Battery life (CIPA rating) | 390 shots | 390 shots | 220 shots | 350 shots | 400 shots |
| Dimensions (WHD, inches) | 4.4 x 3.0 x 2.0 | 4.4 x 3.0 x 2.0 | 3.9 x 2.3 x 1.2 | 4.5 x 3.1 x 1.8 | 4.3 x 2.6 x 1.7 |
| Weight (ounces) | 14.5 | 14.2 | 6.8 | 12.6 | 9.2 |
| Mfr. Price | $499.99 | $499.99 | $399.99 | $499.95 | $440 |
| Availability | October 2009 | October 2010 | August 2010 | September 2010 | August 2010 |
It retains an almost identical design to the G11, including the usable optical viewfinder and large, easy-to-turn dials. A relatively functional design, I like it save a few caveats. In addition to giving the camera a retro feel, the dials on the G12 are, for the most part, practical and much faster to use than even direct-access buttons, which always require at least some navigation. Though a few ounces lighter than the G11, the G12 remains the heaviest camera in its class. Not the largest, though; that nod goes to the P7000.
On the top of the camera are an exposure compensation dial and an ISO sensitivity dial around the circumference of the mode dial. The latter offers the typical PASM and Auto options, as well as two custom settings slots and some scene program modes.
I've been complaining about the G series' controller, a four-way switch plus Set/Function button, for the past three generations. This makes it four: I love the scroll wheel, but find I tend to accidentally hit one of the Manual focus, macro, self-timer or flash switches when I'm trying to press the middle button. As for the wheel, I frequently press one of the switches while I'm scrolling as well. It's especially difficult to control in cold weather with numb fingers (why am I always testing this camera in winter?). Buttons above and below it control metering, focus area, display options and bring up the menu system. You can also assign a function to the programmable Shortcut button on the upper right, though it limits your choices to options without existing direct controls. Finally, there's a dial on the front below the shutter button. I don't really like the location because in a camera of this size it doesn't fall naturally under any of your fingers; the rear dial on the P7000 feels more natural for this type of configuration.
I'm a big fan of digital levels in cameras, and the G12's implementation is one of the more usable ones. When you hit the level area, the white indicator turns green and expands a bit, making it easy to see so you don't overshoot. Aside from that, the feature set is pretty typical for this type of camera. (For a complete rundown of the G12's features and operation, you can download a PDF version of the manual.)
The Canon PowerShot G12 remains a generally excellent camera that ends up lagging the LX5 overall mostly because of its relatively unchanged--and more sluggish--shot-to-shot performance. It delivers better JPEG photos than that model, but it's also less compact. Trade-offs abound.
(Shorter bars indicate better performance)
| Time to first shot | Raw shot-to-shot time | Typical shot-to-shot time | Shutter lag (dim) | Shutter lag (typical) |
(Longer bars indicate better performance)
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