Konica Minolta Dimage A2

Average User Rating

78 reviews

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Konica Minolta Dimage A2 - top Konica Minolta Dimage A2 - back Konica Minolta Dimage A2 - side Konica Minolta Dimage A2 - camera off
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  • Konica Minolta Dimage A2 - top
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  • Konica Minolta Dimage A2 - side
  • Konica Minolta Dimage A2 - camera off

CNET Editors' Review

  • Reviewed by: Eamon Hickey
  • Released on:
  • Reviewed on:
  • Updated on:

The good: New standard in EVF quality; fast-shooting design and performance; Anti-Shake image stabilization; manual zoom ring; excellent manual focus system.

The bad: Inefficient controls for white balance and ISO; 30-second RAW+JPEG shot-to-shot time; nonstandard hotshoe; lackluster continuous-shooting specs; LCD doesn't swivel.

The bottom line: Generally efficient design, top-tier performance, and features galore make the A2 a top choice for resolution-hungry enthusiasts.

Review: With an 8-megapixel CCD and an improved electronic viewfinder (EVF), the Konica Minolta Dimage A2 surpasses its highly regarded predecessor, the 5-megapixel ... Expand full review
With an 8-megapixel CCD and an improved electronic viewfinder (EVF), the Konica Minolta Dimage A2 surpasses its highly regarded predecessor, the 5-megapixel Dimage A1. The new model retains the A1's high-quality 7X zoom lens, top-notch performance, and comprehensive feature set, and its new EVF is the best we've yet seen. Though the A2's images aren't the greatest for its class, the sum of its parts adds up to more than any of its competitors.Konica Minolta used the same design for the A2 as it did for the Dimage A1, which is mostly, though not completely, a good thing. We're still not enamored of its clunky looks, but the black magnesium-alloy body, which weighs a bit more than 1 pound, 7 ounces with a battery and media installed, is very sturdy and easy to grip securely.

Nikon Coolpix 8700, the Konica Minolta Dimage A2's LCD tilts between -20 and +90 degrees--that's all.

To help manage this camera's bewildering array of features, you can store five sets of global settings. A simple two-step procedure will pull up any of your designated setups.The Konica Minolta Dimage A2 offers a daunting list of features. The A2's most prominent among them is the camera's 7X apochromatic GT zoom lens, which covers a multipurpose range of 28mm to 200mm (the 35mm-film equivalent) and opens to a variable maximum aperture of f/2.8 to f/3.5. The A2's unique Anti-Shake image-stabilization system, which works by shifting the CCD rather than using the more typical arrangements that combine gyro sensors with movable lens elements, is also big news.

Like the A1, the A2 can capture TIFF, JPEG, and RAW files, but the A2 can also capture RAW+JPEG simultaneously, a work-flow enhancement hitherto available on only a handful of pro dSLR cameras. You can choose among six image resolutions and three JPEG compression levels. The included Dimage Viewer software generates RGB images from your RAW files, and it offers decent RAW-conversion controls on Windows and Mac machines. Konica Minolta boosted the A2's maximum MJPEG video resolution from the A1's 320x240 pixels to 544x408 pixels at 30 frames per second (fps). This camera can also record clips with sound up to six minutes long.

The A2's comprehensive exposure-control options include all four traditional exposure modes; four scene modes; manual light-sensitivity settings up to ISO 800; multisegment, center-weighted, and spot light-metering systems; exposure compensation to plus or minus 2EV; a live-image histogram; and exposure bracketing. White-balance controls include auto, six presets with tweakable color temperatures, and the ability to save up to three custom measurements.

Equally comprehensive are the in-camera image adjustments. The A2 supports Adobe RGB and sRGB color spaces. There are 3 levels of sharpening, 11 levels of contrast and color saturation, and a plethora of color filter effects. You can bracket saturation, contrast, and filter effects in three-shot sequences. There's also the same long-exposure noise-reduction function, which works by dark-frame subtraction, as we've seen in many high-resolution cameras.

The A2's lens accepts 49mm screw-on accessories, including new 0.8X wide-angle and 1.5X telephoto converters. There's a PC terminal for studio flashes and a nonstandard hotshoe for Minolta external flashes. The A2 can perform wireless multiflash exposure control with compatible Minolta off-camera flashes.The Konica Minolta Dimage A2 betters the A1's already excellent performance, and the new 922,000-pixel electronic viewfinder is a big part of that improvement. It's the first we've seen, in fact, that we could stand to use on a regular basis. The EVF looks far smoother and sharper than any other we've tried, and it responds gracefully to changes in scene illumination and metering. The 1.8-inch LCD is reasonably sharp and easy to see outdoors, though like the Olympus C-8080WZ's, it can only tilt, not swivel. Both the EVF and the LCD show virtually 100 percent of the actual image.

Average User Rating

3.5 stars out of 78 user reviews

Rating Breakdown

  • 5 star: 30
  • 4 star: 36
  • 3 star: 6
  • 2 star: 6
  • 1 star: 0

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Most Helpful User Review

4.5 stars 21 of 21 users found this review helpful

"Excellent 8MP camera for novice or professional" By abvbynd02

Pros This is an easy to use camera if you want to just point and shoot, but excels if you are a more serious photographer. The anti-shake feature and EVF are awesome.

Cons You must take the time to read the manual, or don't complain!

Summary I have used this cameras for over 6 months. Coming from a strictly 35mm background, I am very imnpressed with the overall performance fo this camera, and the quality of pictures. Printing them (if you wish) is very easy, as is storing them on your computer using the USB cable. ... Expand full review

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