Thanks to the S200's disappointing lens, most photos appear at least slightly distorted. Both wide-angle and telephoto shots develop a small amount of barrel and pincushion distortion, respectively. Strangely enough, we found that the most distortion appears in the middle of the lens, between the wide-angle and zoom extremes.
To its credit, the S200 does some things right. For example, its automatic white balance does a very nice job of neutralizing colors in incandescent and fluorescent lighting, and its tungsten preset was able to cope with our tough tungsten studio lights. Plus, the camera did a decent job of balancing flash with ambient light sources.
The Nikon Coolpix S200 suffers from a bad case of style over substance. Its ultraslim, attractive metal body looks great sliding into your pocket. When you slide it out of your pocket and start shooting, though, its image-quality issues and slow low-light performance severely tarnish the pretty camera's shine.
(Shorter bars indicate better performance)
| Shutter lag (low light) | Typical shot-to-shot time | Time to first shot | Shutter lag (typical) |
(Longer bars indicate better performance)
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