(Shorter bars indicate better performance)
|Typical shot-to-shot time||Time to first shot||Shutter lag (typical)|
(Longer bars indicate better performance)
As we mentioned earlier, we same some minor speckles of noise even at ISO 100, though it was mostly in shadows and darker colors. At ISO 200, it grew a little, but in both cases, it most likely won't be noticeable in prints. At ISO 400, noise was more apparent and showed in all colors. We also noticed a slight fall-off in the sharpness of finer details. At ISO 800, noise was obvious, but images were still usable for prints, especially at smaller sizes. At ISO 1,600, we saw abundant noise and most fine detail was obliterated. We suggest that you shy away from using this setting and stick to lower ISOs. Despite this, we were pleased to see that Panasonic has started to make some headway in keeping noise under control in their cameras.
The automatic white balance turned in horribly warm images with our lab's tungsten lights. The tungsten preset was much better but still not totally neutral. Manual white balance yielded the best results. On the plus side, the camera does an excellent job of balancing fill flash with existing lights.
Though it's much bigger and more expensive, Panasonic's Lumix DMC-FZ50 offers serious competition to our current superzoom favorite, the Canon Power Shot S3 IS. This Lumix won't take away the S3 IS's crown, but it's worth a look if you can get over its large size and somewhat bloated price tag.
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