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Sony Cyber-shot DSC-H50 (Black)

OVR TP SD BK

Product summary

The good: Versatile mix of ease-of-use features and manual controls; tilting 3-inch LCD; good color reproduction; zoom operates in movie mode.

The bad: Slowish startup and shutdown; occasional fringing, noise issues; no raw support or hot shoe.

The bottom line: Though its lens isn't as wide and suffers from many of the same lens artifacts as its competitors, the Sony Cyber-shot DSC-H50 is a good megazoom camera with a lot of features for experiment-minded snapshooters.

Specifications: Digital camera type: Full body ; Resolution: 9.1 megapixels ; Optical zoom: 15 x ; See full specs

See all products in the Sony Cyber-shot DSC-H50 series

CNET editors' review

  • Reviewed on: 09/03/2008
  • Released on: 05/01/2008

Sitting atop Sony's line of megazoom cameras is the 9-megapixel Cyber-shot DSC-H50. Its 15x f2.7-f8 31-465mm-equivalent lens, coupled with the company's SteadyShot optical image stabilization, lets you shoot far and somewhat wide. It's also built around a system of modes and options that make it as nice a point-and-shoot as it is a fully manual camera. However, while the H50 should satisfy those on the fence about moving up to a digital SLR, megazooms are also the gateway drug of cameras, likely to be quickly outgrown by budding hobbyists.

Slightly smaller than the average digital SLR, the H50 is fairly lightweight for its class at just under a pound, but it's obviously not compact enough to put in a pocket. It's available in black or silver with a mix of plastic and metal parts, and the strap attachment loops on each side of the camera swivel, letting the camera point straight down when around your neck. The large hand grip makes carrying it comfortable, though the lens puts a chunk of the weight out front, throwing the balance off a bit.

At the front of the grip sits the shutter button, followed by metering and burst/bracketing mode buttons, and the mode dial. Your thumb rests naturally on the zoom-rocker switch on back. Below the rocker is a context-sensitive Menu button, a Home button for full access to settings, and between them a wheel dial surrounding a directional pad and an OK button for navigating menus. The directional pad doubles as controls for flash, timer, macro, and display options, and the wheel dial lets you quickly change ISO, shutter speed, and aperture in manual mode.

The 3-inch tilting LCD is definitely a highlight of the H50, because it allows so much freedom when shooting subjects at both high and low angles. It also performs well in direct sunlight. A button at the top left of the screen, however, toggles between the LCD and EVF--a better option in bright sun and when using the long zoom sans tripod.

The only minor quibble I have with the design is the lens cap, which, like so many of the megazooms, flies off the second you turn the camera on (luckily there's a loop on the cap so you can string it to the camera body). Also, raw capture and a hot shoe are noticeably absent.

Dialing through the H50's various modes and exploring the accompanying shooting options reveals just how versatile this camera is. Point-and-shoot basics like scene modes with Sony's intelligent scene recognition, Smile Shutter, face detection, ISO boost for low-light shooting, and an oversimplified Easy mode are all available, letting you hand the camera over to anyone to take pictures.

Then there's the new Advanced Sports Shooting mode that uses predicative autofocus and high-shutter speed (up to 1/4,000 of a second) to freeze fast-moving subjects. Capturing soccer players in action proved no problem and combining it with the Burst mode churned out great results without worrying about adjusting a single setting. That said, anyone looking to break out of snapshot territory will be pleased with the amount of flexibility provided by the H50.

Switching to the Program, Shutter Priority, Aperture Priority, or Manual modes gives you control over the usual suspects as well as access to a bunch of other tweaks. You can select the amount of noise reduction applied to images and the intensity of the flash. Pick from five color modes such as Real or Vivid, or experiment with color filters (red, green, blue, warm, and cool). Adjust color saturation, contrast, and sharpness. A Bracket Shooting mode includes exposure, white balance, and warmer/cooler filter bracketing. There's Sony's infrared NightShot, too, if you want to get creative in the dark.

All feature loveliness aside, the H50's performance is a mixed bag. First, it's slow to start up--2.3 seconds to first shot--and shut down (which it does automatically after 3 minutes and there's no way to change it). Focusing and shooting under optimal conditions takes 0.7 second, and under dimmer conditions it jumps to 1.3 seconds, both of which are on the high side of average. The typical shot-to-shot time is decent at 1.8 seconds, but adding flash drives it up to a sluggish 3.2 seconds. The H50's burst rate is a little better than 1 frame per second. The zoom operates smoothly and unlike many competitors, you can zoom while shooting video.

While I like the range provided by the lens, the extremes exhibit noticeable barrel and pincushion distortion--and it doesn't even get as wide as most of its competitors, which now tend to start at 28mm equivalent. And, as is characteristic of these cameras, the H50 produced the occasional unusable fringe-filled shot and at about ISO 200 image detail begins to degrade steadily. On the bright side, it produces images with nicely saturated, accurate colors. Pictures are sharp below ISO 200, with even exposures even and good contrast.

There's a lot to like about the Cyber-shot DSC-H50--from its design to its shooting flexibility to its hardware features. Unfortunately its performance and the limitations of its lens might leave you wishing you'd just taken the financial plunge and gone with a dSLR.

Shooting speed (in seconds)
(Shorter bars indicate better performance)
Time to first shot  
Typical shot-to-shot time  
Shutter lag (dim)  
Shutter lag (typical)  
Canon PowerShot S5 IS
1.3 
1.6 
0.8 
0.5 
Panasonic Lumix DMC-FZ18
1.8 
1.7 
1.1 
0.7 
Sony Cyber-shot DSC-H50
2.3 
1.8 
1.3 
0.7 
Olympus SP-570 UZ
3.3 
2.5 
1.8 
0.8 
Fujifilm FinePix S8000fd
3.1 
2.6 
2 
0.8 
Nikon Coolpix P80
2.9 
2.4 
1.4 
1.1 

Typical continuous-shooting speed (in frames per second)
(Longer bars indicate better performance)

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Where to buy

Sony Cyber-shot DSC-H50 (Black): $379.99 - $599.99
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Reviews from around the WebPowered by alaTest

  • alaTest.com

    Editors' rating: 94

    Summary: alaTest has collected and analyzed 521 reviews of Sony CyberShot DSC-H50 / H50B from international magazines and websites. Experts rate this product 79/100 and users 90/100. Comparing these reviews to 485986 other Digital Compact Cameras reviews gives this product an overall alaScore™ 94/100 = Excellent.

  • digitalversus.com

    Editors' rating: 60

    Read full review

  • pcworld.com

    Editors' rating: 81

    Summary: But the DSC-H50 has some shortcomings. The LCD produces a somewhat jumpy image when panning, which I found irksome. Battery life is less than ideal: Our lab tests yielded 291 shots on a charge; in the field, it was noticeably short. While most of the ...

    Read full review

  • whatdigitalcamera.com

    Editors' rating: 84

    Summary: Images are a bit hit-and-miss, and the camera's operation can be fiddly, but the comprehensive spec list and augmentable LCD screen make the H50 worth looking at.

    Read full review

  • digitalcamerareview.com

    Summary: won't be bringing up the rear on ultrazoom lens length once that show gets put to bed?) In any event, while the Sony might not be quite as wide or as long as most of the competition, let's see how it measures up otherwise

    Read full review

  • imaging-resource.com

    Summary: The Sony Cyber-shot H50 has a suggested retail price of US$400, but can be found for quite a bit less via the shopping links above right or below

    Read full review

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