The Sony MDR-V6 definitely qualifies as a classic headphone. It was introduced way back in 1985, and while Sony has since released a string of "improved" and more expensive V6 inspired models -- the MDR-V600, MDR-7506, and MDR-7509HD -- the $109.99-list MDR-V6 is still available. (Sony's Web site lists it as discontinued, but it still appears to be widely available, and for well under its list price at that.) It's been a favorite of audio mixers; radio, film, TV engineers; and consumers for years and has managed to endure for nearly three decades without being endorsed by a hip-hop star or a pop singer.
Why are we reviewing it now? Well, we were finally getting around to reviewing its popular sibling, the MDR-7506, so I figured I'd have a listen to the "original" and compare the two of them, as well as some of today's top midrange headphones.
Since the MDR-V6 had amassed more than 900 five-star reviews on Amazon over the years, I assumed it would be competent. But after taking it for a spin I was a little bit surprised by how good it sounds -- and how comfortable it feels -- for its modest price point. It was not hard to see why the headphone was still in production after all these years: it just sounds and feels right.
Design and features
Most new headphones are packed in impressively heavy cardboard boxes, with thick flaps and snazzy product photography emblazoned on every surface; the MDR-V6 comes in a lightweight gold-toned box, with the headphone visible through a window, cradled in a bed of bright red satin fabric. If it looks like a throwback to the 1980s, it's because that's what it is.
The MDR-V6 weighs 8 ounces, which is slightly lighter than average for a full-size headphone. It's a mostly plastic design, but still feels fairly rugged. The outer ear cups are metal, it has 40mm drivers, a 63-ohm rated impedance, and the headphone features user-replaceable ear pads (new ones sell for $9.99 a pair).
The headband and racetrack shaped pads aren't as thickly padded as those on many new headphones we've tested, but comfort is well above average. Stretched out to the max the coiled cable is about 10 feet long, and it's permanently attached to the left ear cup. The extralong cable lacks any type of mic or phone controls, so the MDR-V6 may not be ideal for use with phones or portable music players. The cable is terminated with a nicely-finished 3.5mm plug; a screw-on 6.3mm adapter plug is included for use with home or pro gear.
The MDR-V6 collapses into a small bundle, and the hinges seem fairly durable. I like that the "L" and "R" markings are color-coded and easy to see in dim light. A no-frills black vinyl carrying bag is included.
The MDR-V6 comes with a 90-day warranty.
Balance. That's my best one-word description of what makes the MDR-V6 so special. It does everything well: the bass-midrange-treble balance is nice and smooth, the sound is spacious, and it's easy to listen to for hours at a time. Isolation from environmental noise is quite decent, and no one near you will hear much sound coming from these headphones.