GameSpot editors' review
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CNET editors' rating:
stars
Good
Detailed editors' rating
- Reviewed on: 10/01/2001
- Updated on: 05/17/2006
- Released on: 11/30/2001
- Originally published on GameSpot: Pool of Radiance: Ruins of Myth Drannor (PC) Review
While most early computer role-playing games were essentially crude, unauthorized adaptations of pen-and-paper Dungeons & Dragons, computer gamers weren't granted the opportunity to play a sanctioned translation of D&D until the 1988 release of Pool of Radiance. Pool of Radiance was an ambitious, pioneering game that offered an effective combination of first-person-perspective exploration and tactical combat from an isometric perspective. It spawned the acclaimed "gold box" series of D&D games, which is still mentioned reverentially by RPG fans. Given that pedigree, it's surprising that the design for its belated spin-off is so lacking in ambition. Pool of Radiance: Ruins of Myth Drannor features some good graphics and a decent adaptation of D&D's turn-based tactical combat, but the game is primarily an uninspired dungeon crawl, burdened by repetitive gameplay, a cumbersome interface, and some serious technical issues.
Ruins of Myth Drannor mostly consists of turn-based tactical combat.
Ruins of Myth Drannor doesn't attempt to provide an expansive gaming world or varied gameplay. Instead, as the name suggests, the game is almost entirely set within the labyrinthine ruins of the ancient city of Myth Drannor, and gameplay primarily consists of tactical combat interrupted by brief spelunking interludes. Myth Drannor is one of the most famous cities in D&D's Forgotten Realms milieu, and early in the game's design the developers indicated that they were going to incorporate existing maps and other source material from tabletop D&D to flesh out environments. Those plans were either changed or significantly reduced in scope, since the game's dungeon layouts are simplistic and largely devoid of distinctive features. There are very few nonplayer characters to interact with, and no depth to your interactions with those characters. Since the skeletal plot is completely linear and there are no meaningful opportunities to role-play characters of varying alignments or motivations, the emphasis of the game is almost exclusively on tactical combat.
Many RPGs are combat intensive, but combat is virtually the entire focus of Ruins of Myth Drannor. Although this will disappoint those who were hoping for a more substantial RPG, at least the battles can be engaging, even if repetitive. While last year's Baldur's Gate II plucked a few elements from the new D&D 3rd Edition rules, Ruins of Myth Drannor is the first game to attempt to comprehensively adapt those rules. The combat and movement aspects of the rules were adapted relatively faithfully, so you can maneuver your characters to flank opponents, charge distant enemies, or be positioned to make attacks of opportunity against nearby foes that attempt to cast spells. The turn-based nature of Ruins of Myth Drannor also lets you more effectively cast spells than you could in the frantic, dynamic real-time skirmishes of recent D&D games, and the game's interface highlights each spell's proposed area of effect to facilitate precise targeting. Still, the fights in Ruins of Myth Drannor lack the complexity of Baldur's Gate II's mage duels and the variety of tactical options offered by other turn-based combat games, such as Jagged Alliance 2. You'll also fight each of the game's various monster types hundreds of times, and there's little variety to these engagements, once you master a few rudimentary tactical maneuvers.
The initial design for the game contemplated letting characters interact with a variety of objects in the gaming world. Early press materials for the game promised that characters would be able to tip over tables, push crates, block doors, climb objects, and otherwise interact with the environment to thwart opponents or gain tactical advantages. A variety of objects did make it into the game, but you can't do anything with them other than smash them. But unlike games such as Diablo that similarly stock their environments with breakable objects, there's almost never anything contained in the barrels, boxes, and tables scattered through the dungeon levels. Yet since your progress is dependent on finding a few key items, you'll likely be motivated by fear that you'll miss a vital item, or frustration when you can't find a particular one, to waste time fruitlessly smashing hundreds of hapless pieces of furniture.
An automap feature helps you navigate the game's winding corridors.
There are other indications that suggest the developers were either unsure of the type of game that they wanted to make or were unable to adequately test their ideas. As in many hack-and-slash RPGs, your characters will acquire a mountain of gold and items, but that loot is almost valueless in Ruins of Myth Drannor, since there's almost no opportunity to actually spend your wealth. The dungeons are overflowing with healing potions and scrolls, and yet you can just rest to immediately recover all hit points and spells, making the utility of those items questionable. The game even highlights when you can rest without any fear of interruption, and a safe haven is almost always available every few steps. The ability to freely rest at almost any time also makes spellcasters far more powerful than in other D&D games, since there's no reason to conserve your available spells when you can easily recover them after every combat.
The game's menu-driven interface is cumbersome, at least until you assign hotkeys to each character's frequent actions. For instance, to use a magic item, you have to first either press "I" on your keyboard, or right-click on a character to bring up a menu of items and then select the inventory tab, and then you have to further select the magic tab to bring up a list of carried magic items, and finally select the desired item. As if that weren't burdensome enough, if you didn't use the same item in the previous turn, you then have to repeat the exact same process a second time before you can finally target the magical effect created by the item. If you happen to inadvertently move your mouse or release the button prior to making your selection, which happens far too frequently as a result of the intermittent slowdowns the game suffers from, you'll have to repeat the selection process.
The interface is flawed in other ways as well. You'll often encounter inconsistencies between the feedback provided by the interface and the actual actions of your characters. Characters occasionally won't move to a location you designate, even though the game's interface indicates that the location is accessible. In the middle of a character's turn, the game will occasionally seem to change its mind about whether or not the character has a clear line of sight to an opponent, preventing you from completing an attack with a ranged weapon or spell. Characters sometimes lose their ability to attack by failing to take a direct path to a selected destination. The game's isometric perspective makes it difficult to move characters close enough to, without inadvertently opening, doors or chests to search for traps. Since you can only move either a single character or the entire party, it's tedious to frequently change your formation or clear out the area near a doorway or by an object you suspect is trapped. Your party members are required to remain in very close proximity to each other, which makes it impossible to scout or search dangerous locations or objects and makes multiplayer games dull for players not controlling the party leader. You can elect to have your party either walk or run, but the walking speed is so interminably slow that it's almost unusable.
Impressive spell effects are a highlight of the game.
The 3rd Edition D&D rules are significantly different from their predecessors, and in many ways the developers of Ruins of Myth Drannor did a decent job of adapting those rules. Large sections of the game's manual, including almost all of the descriptions of skills, feats, and spells, are taken directly from the D&D Players' Handbook, highlighting the faithfulness of the adaptation of those aspects of the game. While some players will bemoan their inability to use simulated dice rolls to generate their characters, the point system used by the game is specifically sanctioned by the D&D Dungeon Master's Guide. Weapon traits, including the new system for calculating the likelihood of landing a critical hit, were accurately imported from the tabletop rules. Spells were adapted particularly faithfully, and the graphical effects attached to some of the spells are easily the single best feature of the game. With a couple of very minor exceptions, instead of inventing their own spells, skills, or feats, the developers stuck exclusively to the core rules.
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